基于黑格尔美学理论的麦克白人物形象辨析  

A Dialectical Analysis of the Figure Macbeth Based on Hegel's Aesthetic Theories

作　　者：徐杺卓 韩琦[1] XU Xinzhuo;HAN Qi(School of Foreign Languages,Northeast Petroleum University,Daqing Heilongjiang,163318,China)

机构地区：[1]东北石油大学外国语学院,黑龙江大庆163318

出　　处：《文化创新比较研究》2023年第2期19-23,共5页Comparative Study of Cultural Innovation

摘　　要：对麦克白的既往评价中,一类观点将其看作权力欲望的奴仆、杀人如麻的恶魔,进而批判他的血腥暴行;另一类观点将麦克白看作伟大的悲剧英雄,歌颂他突破束缚的壮举。笔者利用黑格尔美学中的“理念”和“情境”概念,对照辩证的正—反—合三阶段,具体分析麦克白在不同情境下的动作,辩证地提出了对于麦克白人物形象的人文思考,得出对其形象的辩证认识:既非恶魔也非英雄,作为一个人,麦克白有着强大的自我意志和对人类的高贵认识,不懈追求自由和超越,但他犯下了不可饶恕的错误,毁灭了自己,也折损了人的高贵。In the past evaluation of Macbeth,one kind of view regarded him as the slave of power desire,the devil of killing people,and criticized his bloody atrocities;On the other hand,Macbeth is regarded as a great tragic hero and praised for his breakthrough.The author uses the concepts of"idea"and"situation"in Hegel's aesthetics,and compares the three stages of dialectics:positive,negative and combined,specifically analyzes the actions of Macbeth in different situations,dialectically puts forward the humanistic thinking of the image of Macbeth,and draws a dialectical recognition of its image:it is neither a devil nor a hero.As a person,Macbeth has a strong self-will and noble understanding of human beings.He pursued freedom and transcendence relentlessly,but he made unforgivable mistakes,destroyed himself and also undermined human dignity.

关 键 词：麦克白 黑格尔美学 理念 情境 人文精神 

分 类 号：I561.073[文学—其他各国文学]