女性主义视阈下“那不勒斯四部曲”中莉拉人物形象及其悲剧成因解读  

On the Image of Lila and Its Tragic Causes in Neapolitan Tetralogy from the Perspective of Feminism

作　　者：刘春艳[1] 袁竞贤 LIU Chunyan;YUAN Jingxian(School of Foreign Languages,Shenyang University of Chemical Technology,Shenyang Liaoning,110142,China)

机构地区：[1]沈阳化工大学外国语学院,辽宁沈阳110142

出　　处：《文化创新比较研究》2023年第6期7-10,共4页Comparative Study of Cultural Innovation

基　　金：辽宁省教育厅科学研究经费项目立项“20世纪美国少数族裔女性文学创伤主题及女性身份构建研究”(项目编号:WJ2020010)。

摘　　要：意大利匿名作家埃莱娜·费兰特笔下的“那不勒斯四部曲”是一部女性成长史诗。一经出版,便受到广大读者的欢迎。小说以战后意大利那不勒斯老城区为背景,以埃莱娜为第一视角,讲述了她与挚友莉拉长达50多年友谊的故事。莉拉这一人物有着超越时代的思想觉悟与远见,她打破了世俗的偏见与时代的束缚,是独立女性意识的践行者。该文通过分析莉拉这一人物形象,解析其令人唏嘘结局的成因,可以深刻感悟女性在男性主导的社会中为改变现实做出的种种抗争;同时进一步认识到新时代女性应自立自强,把命运掌握在自己的手中,努力实现自我价值和身份建构。Neapolitan Tetralogy,written by Elena Ferrante,an anonymous Italian writer,is an epic of female growth.As soon as it was published,it was welcomed by a large number of readers.Set in the old town of Naples,post-war Italy,the novel,with Elena as the first perspective,tells the story of a 50-year friendship with her best friend,Lila.The character,Lila,with transcendent ideological consciousness and foresight,breaks the secular prejudice and the constraints of the times,and is the practitioner of independent female consciousness.Through the analysis of the character image of Lila and the causes of her sad ending,women's struggles and helplessness to change the reality in the male-dominated society are deeply understood.And at the same time,it is further recognized that women in the new era should be self-reliant,take the fate in their own hands,and strive to realize self-value and identity construction.

关 键 词：那不勒斯四部曲 埃莱娜·费兰特 莉拉 女性形象 悲剧成因 自我价值 

分 类 号：H106.4[语言文字—汉语]