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作 者:刘蒙之[1] 师驰 刘战伟[2] Liu Mengzhi;Shi Chi;Liu Zhanwei
机构地区:[1]陕西师范大学新闻与传播学院,西安710119 [2]中国人民大学新闻学院,北京100872
出 处:《复印报刊资料(出版业)》2022年第6期23-33,共11页PUBLISHING INDUSTRY
摘 要:作为编辑出版学研究中的“元问题”,图书编辑如何参与编辑实践在我国学界一直缺乏系统的经验深描与理论建构。本文以布尔迪厄的文化生产理论为视角,以文化中介“三维度”为分析框架,基于48名文学图书编辑撰写的“编辑手记”展开对文学图书编辑“做书”编辑实践的考察。研究发现,文学图书编辑普遍在审美逻辑与市场逻辑纠缠的混合逻辑的复杂平衡中,在构造实践、知识实践与影响实践的线性进程中完成图书的物质生产、象征生产与合法性生产。研究证明,作为物质与象征双重生产的产物,图书是被编辑“做”出来的,而不是被作家“写”出来的。作家实践的产物是作品,编辑实践的产物才是图书,文学图书编辑是具有高度能动性的“文化中介”,而不是功能性的“把关人”。How book editors participate in editing practice is a basic theoretical problem in the study of editing and publishing science.From the perspective of cultural intermediaries theory and Maguire's"three dimensions"of cultural intermediaries,this paper analyzes the complex cultural production practice of"book-doing"in literary book editing based on the"editor's Notes"written by 48 literary book editors reflecting the editing process.It is found that literary book editors generally complete the material production,symbolic production and legitimate production in the linear process of construction practice,knowledge practice and influence practice in the complex balancing art of the mixed logic of aesthetic logic and market logic.The results show that as a result of cultural practice of both material and symbolic production,books are"done"by editors rather than"written"by writers.The product of writer's practice is the work,and the product of editing practice is the book.Book editor is a highly active"cultural intermediaries"rather than a functional"gatekeeper"in the production of literary books.
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