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作 者:肖明华[1] XIAO Ming-hua(Research Center of Contemporary Morphological Literary Theory,Jiangxi Normal University,Nanchang 330022,China)
机构地区:[1]江西师范大学当代形态文艺学研究中心,江西南昌330022
出 处:《兰州文理学院学报(社会科学版)》2023年第2期9-13,共5页Journal of Lanzhou University of Arts and Science(Social Science Edition)
基 金:2021年度国家社科基金项目“文化研究的反思、转型与建构研究”(21BZW048);江西省文化艺术科学规划一般项目“新媒介与文艺公共性问题研究”(YG2021008)。
摘 要:20世纪90年代以来的文学理论学科反思,是当代文论史上的重要学术事件。围绕着文学理论学科的反思,已然深入到知识学层面,出现了本质主义与反本质主义之争。陶东风是这一学术事件的重要参与者。他的文学理论知识立场是反本质主义的,但是,他的反本质主义并非否认任何本质,以至于认为文学没有本质。毋宁说,他持的是建构主义文论观念,即认为文学是有本质的,只是这本质是建构的,因此是可以反思的。随着文学理论学科反思的深入,陶东风的建构主义文学理论知识立场生成为了建构主义文学理论知识形态。它具有反思性、自觉性与公共性特点,是值得承继的当代文论形态。The reflection on the discipline of literary theory since the 1990s is an important academic event in the history of contemporary literary theory,which has gone deep into the level of knowledge,and there has been a debate between essentialism and anti-essentialism.Tao Dongfeng is an important participant in this academic event.His standpoint of literary theoretical knowledge is anti-essentialism which does not deny any essence,so that he believes that literature has no essence.In other words,what he holds is the concept of constructivism literary theory,that is,he believes that literature has essence,this essence is constructive,so it can be reflected.With the deepening of the reflection on the discipline of literary theory,Tao Dongfeng’s position on the knowledge of constructivism literary theory has become the knowledge form of constructivism literary theory.It has the characteristics of reflection,self-consciousness and publicity,and it is worth inheriting the form of contemporary literary theory.
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