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作 者:曾平[1] ZENG Ping(Institute of Literature and Art of Sichuan Academy of Social Sciences,Chengdu Sichuan 610071,China)
机构地区:[1]四川省社会科学院文学与艺术研究所,四川成都610071
出 处:《四川文理学院学报》2023年第1期7-12,共6页Sichuan University of Arts and Science Journal
摘 要:在《时代三部曲》中,不仅主人公乔燕作为乡村他者的“外视点”在悄悄向内在于乡村的“内视点”靠近甚至融合,贺家湾乡民们也主动将城市文明带来的“第三只眼”纳入自己的心理世界,主动回应时代要求,动用全部的心理能量,试图跟上时代前行的步伐。正是在内外视点相互碰撞、相互转移的交错变幻中,历史进行时中扑朔迷离的川东乡村心灵地图得以徐徐展开。In the Trilogy of the Times,not only the hero Qiao Yan,as the“external perspective” of the rural others,is quietly approaching and even merging with the“internal perspective”of the countryside,but also the villagers of He Jiawan take the initiative to bring the“third eye”brought by urban civilization into their own psychological world,actively respond to the requirements of the times,use all their psychological energy,and try to keep up with the pace of the times.It is precisely in the crisscross change of the collision and mutual transfer of the internal and external viewpoints that the complicated and confusing spiritual map of eastern Sichuan villages in the course of history can be slowly unfolded.
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