植物、技术与商业:克里斯托弗·德莱塞理性设计原则的三个关键词  

Plant,Technology and Commerce:Three Key Words of Christopher Dreiser’s Rational Design Principle

作　　者：李彬[1] LI Bin(School of Art Design,Soochow Chien-shiung Institute of Technology,Taicang 215411,China)

机构地区：[1]苏州健雄职业技术学院艺术设计学院,江苏太仓215411

出　　处：《湖州师范学院学报》2023年第3期95-99,共5页Journal of Huzhou University

基　　金：2022年上海市艺术科学规划项目“百年巨变下的上海设计教育谱系研究(1912—2022)”(2022-F-076)。

摘　　要：克里斯托弗·德莱塞是现代设计运动的先驱者之一,他相信工业与科学的结合会产生全新的设计风格。研究植物学的经历赋予了德莱塞理性客观的思维方式,他坚信科学时代的设计师必须关注机器生产和消费主义。德莱塞将植物、技术与商业结合起来的理性设计原则,具体体现在艺术植物的对称装饰、材料简省的标准制造以及设计消费的商业营销。该原则不仅打破了维多利亚时代的传统装饰模式,还预示了现代设计的出现,并在当前重新评估现代设计起源的趋势下得到“再”认可。As one of the pioneers of modern design movement,Christopher Dreiser believes that the combination of industry and science will produce a new design style.His experience in botany gives him a rational and objective way of thinking.He firmly believes that designers in the scientific era must pay attention to machine production and consumerism.His rational design principle of combining plants,technology and commerce is embodied in the symmetrical decoration of artistic plants,the standard manufacturing of simple materials and the commercial marketing of design consumption.This principle not only breaks the traditional decoration mode of the Victorian era,but also foreshadows the emergence of modern design,and is re-recognized under the current trend of reassessing the origin of modern designing.

关 键 词：克里斯托弗·德莱塞 植物 技术 商业 

分 类 号：J503[艺术—艺术设计]