安德列耶夫创作思想与风格的嬗变  

On the Transmutation of Andreyev's Creative Thought and Writing Style

作　　者：宋秀梅[1] Song Xiumei

机构地区：[1]东南大学外国语学院,江苏南京211189

出　　处：《南京师范大学文学院学报》2023年第1期16-24,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社会科学基金重大项目“苏联科学院《俄国文学史》翻译与研究”(项目号:16ZDA196);国家社会科学基金重点项目“别雷的文学理论与批评研究”(项目号:20AWW005)。

摘　　要：尼·伊·普鲁茨科夫主编的四卷本《俄国文学史》中第四卷(1881—1917)第十章“列昂尼德·安德列耶夫”结合社会历史与文化思想史,从创作思想与创作风格角度研究小说家、戏剧家安德列耶夫。安德列耶夫在创作中融合了现实主义、象征主义、表现主义等创作风格,创作思想复杂、独特,既有对时代生活的现实主义记录,又以表现主义的理念和手段渲染时代和个人情绪,从抽象的哲学角度追问生活的意义及人之存在的本质。In the volume 4(1881-1917)of the four-volume A History of Russian Literature,edited by N.I.Prutskov,the chapter 10 is about“Leonid Andreyev”.In the light of social history and cultural developments,this chapter examines the novelist and dramatist Andreyev from the perspective of writing style and creative thought.In terms of the former,Andreyev combines realism,symbolism,and expressionism in his creative writings;as for the latter,which is rather complex and unique,he not only succeeds in recording his time in a realistic manner,but also expressing the emotions of a particular age and individuals living in that era through an expressionist means,thereby encouraging readers to reflect on the essential questions about the meaning of life and human existence from a philosophical perspective.

关 键 词：《俄国文学史》 列昂尼德·安德列耶夫 现实主义 表现主义 

分 类 号：I106.4[文学—世界文学]