论杨荔钠的作者表达  

On the Author’s Expression of Yang Lina

作　　者：王颖[1] Wang Ying(School of Communication,Shandong University of Arts,Jinan 250300,China)

机构地区：[1]山东艺术学院传媒学院,山东济南250300

出　　处：《齐鲁师范学院学报》2023年第2期111-116,共6页Journal of Qilu Normal University

摘　　要：杨荔钠在她的三部故事片中讲述母女关系、表达“恋父弑母”情结,运用“水”的意象来完成救赎主题,并通过“疾病的隐喻”来构造和升华故事,从内容到形式都形成了强烈而鲜明的作者风格,完成了系统的作者表达。在中国电影史上,能够在一系列作品中同时保持“女性”视点和“作者”立场的女性导演并不多见。但“作者”的身份即彰显自我又难免会导致创作的重复,对情绪和情结的执着有时也会破坏故事的完整性和人物的性格逻辑。从这个角度看,“作者性”其实也是一种个人创作的“类型化”。Yang Lina tells the mother-daughter relationship in her trilogy,expresses the Electra complex,uses the image of“water”to complete the theme of redemption,and constructs as well as sublimates the story through the“disease as metaphor”,forming a strong and distinct authorial style from content to form and completing the systematic authorial expression.In the history of Chinese film,there are few female directors who can maintain both a“female”perspective and an“author”position in a series of works.However,the identity of the“author”is to display oneself and inevitably leads to the repetition of creation,and the persistence of emotions and complexes sometimes destroys the integrity of the story and the personality logic of the characters.From this perspective,“authorship”is actually a kind of“typification”of personal creation.

关 键 词：女性 作者 意象 超现实 

分 类 号：J91[艺术—电影电视艺术]