唐宋诗歌地理中的庾岭梅花  

Yuling Plum Blossom in Tang and Song Poetry Geography

作　　者：侯艳[1] HOU Yan(School of Culture and Media,Hezhou University,Hezhou,542899,China)

机构地区：[1]贺州学院文化与传媒学院,广西贺州542899

出　　处：《临沂大学学报》2023年第2期37-46,184,共11页Journal of Linyi University

基　　金：国家社科基金学术社团主题学术活动项目(20STA027);华东师范大学2022年度文化传承创新项目(2022ECNU-WHCCYJ-23)阶段性成果。

摘　　要：唐宋诗歌地理中的庾岭梅花,因其地理空间和形态审美特色,具有梅信之始、华夷分野、贬谪之地理时空坐标的文化意义,承载了唐宋诗人对岭南的地理文化体认和他们的历史意识、人文情怀、政治抱负、人格理想等多重文化内涵,是唐宋诗歌中重要的文化意象之一。在唐宋诗歌中,庾岭梅花不仅作为一个地景给人留下地理空间感、场景感,它更是唐宋诗人心中的某种象喻,亦是唐宋文人一朵别样的生命之花,它诗性地展现了唐宋文人别离与思归、忧国与归隐、怨愤与旷达的二元之生命情怀,以及他们家国通一之人文精神,既加深了唐宋南贬诗歌的文化内蕴,又丰富了唐宋孤山梅花所奠定的梅花意象“清”之人格意味与美学品格。其彰显的家国通一的儒家“仁”之精神,与孤山梅花彰显的自由自适之道统精神相合,在唐宋诗歌梅花意象由物色形象向人格图腾的诗性嬗变中起着推波助澜的作用。In the geography of Tang and Song poetry,Yuling plum blossom,which carries the geographical and cultural understanding of Lingnan by Tang and song poets and their multiple cultural connotations such as historical consciousness,humanistic feelings,political aspirations and personality ideals,acts as one of the significant cultural images in Tang and Song poetry,due to its characteristics in geographical space,morphological aesthetics and especially such cultural meanings in the geographical space-time coordinates as the beginning of the plum rain,the separation of China and the barbarians and the location of the relegation.In Tang and Song poetry,Yuling plum blossom presents readers some kind of senses of geographical space and scene as a landscape,some kind of metaphor in the hearts of Tang and Song poets and a different flower of life for Tang and Song literati which poetically shows Tang and Song literati’s humanistic spirit of“one family and one country”and such binary feelings of life as separation and homesickness,worry and seclusion,resentment and broad mindedness.Those spirits and binary feelings not only deepen the cultural connotation of Tang and Song poetry describing southward relegation,but also enrich the personality meaning and aesthetic character of the plum blossom image Qing(uprightness)established by the solitary plum blossom in the Tang and Song dynasties.The Confucian benevolence spirit of the unity of the family and the country and the Taoist spirit of freedom and self-adaptation manifested by the solitary plum blossom have played an important role in the poetic evolution in the plum blossom image of Tang and Song poetry from the material image to the personality totem.

关 键 词：庾岭梅花 唐宋诗歌 地理文化内涵 人文情怀 

分 类 号：I206[文学—中国文学]