设计观念的现代性:20世纪30年代中国对西方现代设计观念的译介与传播--以《生产工艺》为考察对象  

Modernity of Design Concepts:Translation,Introduction,and Dissemination of Western Modern Design Concepts in China in the 1930s:With Special Attention to Production Technology

作　　者：王玮[1] 宋伟[1] Wang Wei;Song Wei

机构地区：[1]东北大学艺术学院,辽宁沈阳110819

出　　处：《复印报刊资料（造型艺术）》2022年第4期99-109,共11页PLASTIC ART

摘　　要：20世纪30年代是中国设计现代性探索的关键时期。成立于该时期的生产工艺协进会,创办了《生产工艺》期刊。该刊以保存和宣传生产工艺,引导中国生产工艺的改良与推广为宗旨,将最新的西方现代设计观念引入中国。梳理《生产工艺》对西方现代设计观念的译介与传播,对于我们进一步了解中国现代设计观念的兴起具有重要的现实意义,同时也有助于当代学者更好地对中国现代设计观念史、理论史进行反思与重构。The 1930s was a critical period for the exploration of modernity in Chinese design.The Association for the Advancement of Production Technology,established in this period,founded the journal Production Technology.The purpose of this journal was to preserve and publicize production techniques,guide the improvement and promotion of Chinese production techniques,and introduce the latest western modern design concepts into China.Sorting out the translation,introduction,and dissemination of Western modern design concepts in Production Technology bears important practical significance,as it allows us to deepen our understanding of the rise of Chinese modern design concepts,and helps contemporary scholars to better rethink and reconstruct the history of Chinese modern design concepts and theoretical history.

关 键 词：设计观念的现代性 西方现代设计观念 《生产工艺》 生产工艺协进会 

分 类 号：J509.2[艺术—艺术设计] K26[历史地理—历史学] G237.5[历史地理—中国史]