“废墟”在中国现代陶艺创作中的运用  

The Application of Ruins in the Creation of Modern Chinese Ceramic Art

作　　者：张鑫 Zhang Xin(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2023年第4期105-108,共4页Ceramics

摘　　要：废墟作为一种视觉图像,其自身的价值、多重的寓意以及开放性的形态,在绘画、建筑、文学、摄影等艺术中扮演重要的角色。当废墟进入中国现代陶艺的体系之中,深化了陶艺语言,延展了创作形式,丰富了审美价值,为中国现代陶艺的发展提供了深远的影响。随着后疫情时代的到来,中国现代陶艺对废墟的诠释在数字媒体的融入中将呈现更多元化的面貌,废墟也将被赋予更广泛的寓意、形态与美学价值。As a visual image,ruins play an important role in painting,architecture,literature,photography and other arts with their own value,multiple meanings and open forms.When the ruins entered the system of modern Chinese ceramic art,it deepened the language of ceramic art,extended the form of creation,enriched the aesthetic value,and provided a profound influence on the development of modern Chinese ceramic art.With the advent of the post-epidemic era,the interpretation of ruins by modern Chinese ceramic art will present a more diversified look in the integration of digital media,and ruins will also be endowed with broader meaning,form and aesthetic value.

关 键 词：中国现代陶艺 废墟 陶艺语言 创作形式 

分 类 号：TQ174.74[化学工程—陶瓷工业]