凌家滩文化与马家浜文化的玉器比较研究  

A comparative study of jade from the Lingjiatan and Majiabang cultures

作　　者：徐梦涵 朱铁军 Xu menghan;Zhu tiejun(Anhui Polytechnic University,Wuhu 241000)

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《内蒙古艺术学院学报》2023年第1期136-144,共9页Journal of Inner Mongolia Arts University

基　　金：2021年度安徽省社会科学创新发展研究重大课题项目“江南文化与长三角区域一体化研究”(项目编号:2021ZD009)的阶段性研究成果;2012年度国家重大文化工程项目《中国工艺美术全集·安徽卷·工艺雕刻篇》(项目编号:[2012]155号)的最终研究成果。

摘　　要：凌家滩文化与马家浜文化同属长江中下游新石器时期的文化,两处遗址出土的玉器,尤其令世人瞩目。笔者通过对两处遗址出土的玉器,在玉质玉料、纹样造型、功能作用和制作工艺等四个方面的梳理分析和比较研究,发现凌家滩文化与马家浜文化遗址出土的玉器,呈现出玉质精良及功能多元的共通性与纹样造型迥异及技艺优劣的差异性,从而拓展了进一步探究凌家滩与马家浜两处新石器遗址出土的玉器文化的空间,尤其是对两者深层文化内涵和艺术美学特质解析,不仅能揭示中华民族传统精神追求的历史印痕,更能够彰显其当代的文物、文化、审美、艺术等方面的多元价值。The Lingjiatan and Majiabang cultures are both part of the Neolithic period in the middle and lower reaches of the Yangtze River,and the jade artefacts excavated from both sites are of particular interest to the world.Through a comparative analysis of the jade from the two sites in terms of jade quality,pattern and shape,function and production techniques,the author has found that the jade excavated from the Lingjiatan and Majiabang cultures exhibits a commonality of fine jade quality and multiple functions,and a difference in pattern and shape and superiority of techniques,thus expanding the scope for further exploration of the jade cultures from the two Neolithic sites.In particular,the analysis of the deeper cultural connotations and artistic and aesthetic qualities of both sites will not only reveal the historical traces of the traditional spiritual pursuit of the Chinese people,but also highlight their contemporary cultural heritage,cultural,aesthetic and artistic values in multiple ways.

关 键 词：凌家滩文化 马家浜文化 玉器 对比研究 

分 类 号：K876.8[历史地理—考古学及博物馆学]