歌剧《原野》“仇虎”人物性格及唱段分析--以第四幕为例  

An Analysis of the Character and Lyrics of“Qiu Hu”in the Opera Wilderness:Taking Act IV as an Example

作　　者：周琨[1] ZHOU Kun(School of Education Science,Wenshan University,Wenshan Yunnan 663099,China)

机构地区：[1]文山学院教师教育学院,云南文山663099

出　　处：《文山学院学报》2023年第1期115-120,共6页Journal of Wenshan University

摘　　要：歌剧《原野》是我国著名作曲家金湘大师用心创作的优秀作品,也是我国在西方舞台具有代表性的经典作品之一,在国内外享有很高的声誉和名望,并深受海内外观众的喜爱。它以唤醒人类灵魂之美为目标,以恢复和唤醒人们欣赏美、发现美,卸下桎梏人们灵魂与肉体的枷锁为出发点,批判了封建社会的桎梏性。作品极具创新性,作者大胆运用多重手法,在作品的难度和创新上做出了较大的改革,使该作品突破了传统歌剧本身的束缚性。The opera Wilderness is an excellent work created by the famous composer of our country,master Jin Xiang,and also one of the representative classical works of our country on the western stage.It enjoys a high reputation and fame at home and abroad,and is deeply loved by audiences at home and abroad.With the goal of awakening the beauty of human soul,and the starting point of restoring and awakening people's appreciation of beauty,discovering beauty,and removing the shackles of people’s soul and body,it criticizes the shackles of feudal society.The work is very innovative.The author boldly uses multiple techniques to make great changes in the difficulty and innovation of the work,which makes the work break through the shackles of the traditional opera itself.

关 键 词：歌剧《原野》 仇虎 人物性格 唱段分析 

分 类 号：J617.2[艺术—音乐]