稗官为传奇蓝本——李渔小说改编戏曲的创作手法研究  

Novel is the Prototype of Legend--A Study on the Creative Techniques of Adapting Li Yu’s Novel to Opera

作　　者：吴兰娟 Wu Lanjuan(College of Humanities,Anqing Normal University,Anqing 246000,China)

机构地区：[1]安庆师范大学人文学院,安徽安庆246000

出　　处：《黄山学院学报》2023年第1期81-86,共6页Journal of Huangshan University

摘　　要：李渔将戏曲取材于小说这一文学现象总结为“稗官为传奇蓝本”。不同于绝大多数剧作家在戏曲创作时拾取现成题材的做法,李渔创造性地将自己的四部小说改编成戏曲,取得了很好的艺术效果。由于小说和戏曲本身存在的文体差异以及李渔创作理论的影响,改编而来的戏曲在叙述方法、人物设置和情节安排上都与原本小说有所不同。Li Yu summed up the literary phenomenon that opera was drawn from novels as“novel is the prototype of legend”.Different from most playwrights’practice of picking up ready-made themes when creating dramas,Li Yu creatively adapted his four novels into operas and achieved good artistic effects.Due to the stylistic difference between the novel and the opera itself and the influence of Li Yu’s creation theory,the adapted opera is different from the original novel in narrative method,character setting and plot arrangement.

关 键 词：李渔 小说 戏曲 改编 创作手法 

分 类 号：I206.2[文学—中国文学]