现代黄梅戏《党的女儿》的审美特征研究  

A Study on the Aesthetic Characteristics of the Modern Huangmei Opera The Daughter of the Party

作　　者：刘畅 陈昌文 Liu Chang;Chen Changwen(School of Art and Media,Tongling University,Tongling 244000,China)

机构地区：[1]铜陵学院文学与艺术传媒学院,安徽铜陵244000

出　　处：《黄山学院学报》2023年第1期115-118,共4页Journal of Huangshan University

基　　金：安徽省哲学社会科学规划项目(AHSKY2020D114);铜陵学院校级人文社科一般研究项目(2021tlxy02);铜陵学院党史研究专项课题(2021tlxyds11)。

摘　　要：改编自同名歌剧的现代黄梅戏《党的女儿》在歌剧与戏曲的交融上做出了新的尝试和探索,不但在唱腔音乐上拓宽了黄梅戏的音域,还在表演设计上进行了大胆突破,以个性化的语言和民族性的音乐在多元化的舞台上呈现出别样的审美意蕴,对新时期戏曲审美艺术的再认识起到一定的作用。The modern Huangmei opera The Daughter of the Party,adapted from the opera of the same name,has made a new attempt and exploration in the blending of opera and traditional Chinese theatre.It not only broadens the voice range of Huangmei Opera in vocal music,but also makes a bold breakthrough in performance design.It presents different aesthetic implications on the diversified stage with personalized language and ethnic music,and plays a certain role in the recognition of the aesthetic art of traditional Chinese theatre in the new era.

关 键 词：黄梅戏 红色题材 《党的女儿》 艺术研究 

分 类 号：J825[艺术—戏剧戏曲]