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作 者:李海英[1] LI Haiying(College of Liberal Arts,Yunnan University,Kunming,Yunnan 65009,China)
出 处:《中州大学学报》2023年第1期26-30,共5页Journal of Zhongzhou University
摘 要:当代小说家刘恪在进行文学创作的同时深耕现代小说理论研究,先是从小说技巧入手探究现代小说与先锋小说的秘密,继而沿着心理→语言→艺术→法则→境界的诗学秩序,对文学关键词进行具有个体色彩的诗学阐释,进而从美学角度讨论一百年来中国现代小说语言的发生、进展、现象、状况以及当下写作的可能性,多年来不断实践着前瞻性的理论建构,为当下小说理论研究与文学理论建构做出了独特的贡献。While carrying out literary creation,Liu Ke,a contemporary novelist,was deeply engaged in the theoretical research of modern fiction.First,he explored the secrets of modern fiction and avant-garde fiction from the perspective of novel techniques.And then following the poetic order of psychology,language,art,law and realm,he made a poetic interpretation of literary key words with individual experiences.Finally,from the perspective of language aesthetics,he discussed the emergency,progress,phenomenon,situation of modern Chinese novel in the past 100 years,as well as the possibility of current fiction.For years he had been practicing forward-looking theoretical construction and had made a unique contribution to the field of contemporary fiction and literary theory.
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