从孤独的作者到狂欢的公众--评《版权战争:跨越大西洋三个世纪的争斗》  

From Lonely Authors to the Carnival Public:Comment on The Copyright Wars:Three Centuries of Trans-Atlantic Battle

作　　者：张永坤 蔡斐 ZHANG Yongkun;CAI Fei(Rule-of-law News Research Center,Southwest University of Political Science and Law,Chongqing 401120,China)

机构地区：[1]西南政法大学法治新闻研究中心,重庆401120

出　　处：《中州大学学报》2023年第1期63-68,共6页Journal of Zhongzhou University

基　　金：国家社科重大课题“媒介融合中的版权理论与应用研究”(2019ZD331)。

摘　　要：自18世纪以来,作者优先还是受众优先这两种知识产权观点之间的基本争议持续存在,并在数字时代引发了新的讨论热潮。《版权战争:跨越大西洋三个世纪的争斗》一书正是对这一争议的系统梳理与深入探讨。通过梳理不同历史时期中版权争斗的内容变化,可以知所从来,厘清权利内涵,更加清晰地认识当前版权体系的版图构建;通过分析版权争斗背后的利益冲突以及政治与意识形态策略,可以明其理念,更加深刻地阐明不同版权观点中所蕴含的政治判断。析版权之机理,明争斗之本质,正是本书对正确认识版权观点争议的重要贡献。Since the 18th century,the basic dispute between the two views of intellectual property rights,author priority or audience priority,has continued to exist,and has triggered a new upsurge of discussion in the digital era.The Copyright Wars:Three Centuries of Trans-Atlantic Battle is a systematic review and in-depth discussion of this controversy.By sorting out the changes in the content of the copyright struggle in different historical periods,we can understand this evolution process,clarify the connotation of rights,and more clearly understand the layout of the current copyright system;by analyzing the conflict of interests and political and ideological strategies behind the copyright struggle,we can clarify its ideas and more profoundly clarify the political judgments contained in different copyright views.An analysis of the mechanism of copyright and the nature of dispute is an important contribution of this book to a correct understanding of the dispute over copyright.

关 键 词：版权战争 作者权利 公共利益 意识形态 

分 类 号：D913[政治法律—民商法学]