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作 者:陈雪佼 CHEN Xue-jiao(Guizhou Provincial Sports School,Guiyang,Guizhou,551400)
出 处:《贵州师范学院学报》2023年第3期34-39,共6页Journal of Guizhou Education University
摘 要:以清代文学家汪中《哀盐船文》的创作构思为中心,对其创作时间、所据本事以及艺术手法进行探讨,证明了《哀盐船文》是骈俪之文中少有的以纪事纪实的佳作。不同于楚辞《大招》的旧制,《哀盐船文》开启了骈文的新体制,以四六骈文来记录时事,以哀而不伤之辞,描写生民命运之多舛,体现了作者以天地万物为一的生命情感,对任何生命的逝去都感同身受。这篇骈文把叙事、抒情融汇一体,结构严整无隙,且文气纵贯一体,与《文心雕龙》关于“哀吊之体”的论述契合,其悲哀来自作者心底对生民夭折的痛惜,故能感人至深以至于广为流传,也成了哀挽文学中赋体的代表之作。Focusing on the creation of"The Mourning for Salt Ships"by Wang Zhong,a writer of the Qing Dynasty,through the discussion of the creation time,the basis and the artistic techniques of this parallel essay,the article shows that"The Mourning for Salt Ships"is a rare masterpiece of the parallel prose that records the facts.Different from the old system of the Chuci"Da Zhao","The Mourning for Salt Ships"has initiated a new system of parallel prose.It records current events with four or six parallel prose,describes the frustrations of the lives of the people with mournful but not distressing tone,reflects the author's sense of life with the universe as one,and conveys the feeling for the passing of any life.This parallel prose is a combination of narrative and lyrical prose,with a rigid structure and coherent language.It is consistent with the description of mournful style in"Wen Xin Diao Long".with its sadness coming from the author's deep regret for the death of the living people,it is so touching that it is widely spread and has become a representative work in the mourning literature.
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