论大慧宗杲的诗禅观  

On Zen Master Zonggao’s Views of Zen and Poetry

作　　者：倪缘 张勇[1] NI Yuan;ZHANG Yong(School of Liberal Arts,Anhui Normal University,Wuhu 241002,Anhui,China)

机构地区：[1]安徽师范大学文学院,安徽芜湖241002

出　　处：《合肥学院学报（综合版）》2023年第1期77-83,118,共8页Journal of Hefei University：Comprehensive ED

基　　金：国家社会科学基金重点项目“历代释家文论文献集成与综合研究”(22AZW011);安徽省哲学社会科学规划重点项目“宋明安徽高僧文论辑录与研究”(AHSKZ2021D32)。

摘　　要：大慧宗杲虽以禅法名世,但其诗禅观依然不可忽视。他认为在诗禅关系中,悟应当是中心,诗以明禅,悟以助诗。因此,诗禅之间事实上并不存在矛盾。在宗杲看来,诗歌就是禅悟的活动,也是时时提撕的对象。宗杲的创作中既不乏禅林常见的诗颂,又有融世情与禅思,乃至单纯表达世情的作品。这正是其诗禅观的实践。而宗杲所强调的悟,又适时地为僵硬的诗坛注入了新的因素。南宋诗学中学诗以悟与悟以成诗强调了自性发扬、活法与自然等方面。而这两个重要的诗学范畴的形成离不开宗杲的影响。Zonggao whose monastic name was Dahui,was famous for his mastering of Zen,but his views of poetic Zen should also be paid attention to.He thought that as far as the relation between the two is concerned,insight should be the core,poetry helps to understand Zen and insight helps to create poetry,so that there is no conflict between them.In his opinion,the creation of poetry is an activity for insight and an object to be realized from time to time as well.His poetic works include not only the general odes,but also those blending worldly feelings and Zen thinking or even those expressing only worldly feelings,which indicates his views on Zen and poetry.The insight he emphasized timely injected new factors into the rigid poetic world.In the Southern Song Dynasty,poetry was believed to be generated by insight and insight would help to create poetry,with emphasis on the development of self nature,living dharma and nature,which were all influenced by Zonggao.

关 键 词：大慧宗杲 诗禅观 以悟为则 活法 悟入 

分 类 号：I299[文学—中国文学]