贾达群《弦乐四重奏》结构诗学分析  

Structural Poetic Analysis of Jia Daqun's String Quartet

作　　者：郑中 Zheng Zhong

机构地区：[1]济南大学音乐学院,山东济南250022

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第1期29-34,I0004,共7页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2021年国家社科基金艺术学重大项目“中国特色作曲理论体系研究”(项目编号:21ZD17)子课题阶段性成果。

摘　　要：中国结构主义作曲家贾达群的弦乐四重奏创作,是他实验、总结、创新手法重要的“试验田”,其中集结了在结构律性与结构灵性方面的创作理念与技法。从作曲家本人的结构诗学理论出发,在其创作的弦乐四重奏音乐本体分析中探求内在“逻辑与规则”,在节奏、音高、音色、力度四大结构元素所呈现出的天然结构态,单一性结构、层结构、体结构的多重结构对位,透过天地万物寻求被赋予“类生命”的结构灵性,充分印证结构诗学在音乐语言的组织方式以及音响呈现多维样态的“力”与“诗”,在理论—创作的螺旋式分析路径中,力争在哲学层面探寻其潜在的天然、自然引力与控制力。The creation of string quartets by Jia Daqun,a Chinese structuralist composer,is an important"experimental field"for his experimental,summary,and innovative techniques,which integrates creative ideas and techniques in terms of structural regularity and structural spirituality.Starting from the composer's own structural poetics theory,this paper explores the inherent"logic and rules"in the ontological analysis of the string quartet music created by him.The natural structural state presented by the four structural elements of rhythm,pitch,timbre,and dynamics,the multiple structural counterpoint of unitary structure,layered structure,and body structure,seeks the structural spirituality endowed with"quasi life"through the universe,Fully confirming the organization of structural poetics in music language and the multi-dimensional"force"and"poetry"presented by sound,we strive to explore its potential natural and natural gravity and control at the philosophical level in the spiral analysis path of theory and creation.

关 键 词：结构诗学 天然结构态 功能结构网 自然结构力 

分 类 号：J603[艺术—音乐] J605