音乐史与音乐史学:认识之前提——中国音乐史学问题思索之一  

Music History and Music Historiography:The Premise of Cognition--Thoughts on the Issue of Chinese Music Historiography

作　　者：田可文[1] Tian Kewen

机构地区：[1]武汉音乐学院音乐学系,湖北武汉430060

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第1期197-202,I0005,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：“音乐历史”是研究音乐在过去的变化形态,诸如音乐内容与形式的演变、发展。中国音乐史学的发展有不同的阶段,也深受西方史学的影响。对中国音乐史学问题的思索首先就是要理解音乐史与音乐史学的概念、范畴。文章思索历史与音乐历史、音乐历史与音乐史学、“中国音乐史学”在中国以及21世纪面向世界的中国音乐史学等问题。"Music history"refers to the study of the changing form of music in the past,such as the evolution and development of music content and form.The development of Chinese music historiography has different stages and is deeply influenced by Western historiography.The first step in thinking about the issue of Chinese music history is to understand the concepts and categories of music history and music historiography.The article ponders over such issues as history and music history,music history and music historiography,"Chinese music historiography"in China,and Chinese music historiography facing the world in the 21st century.

关 键 词：中国音乐史学 音乐历史 音乐本体 西方史学影响 

分 类 号：J609.2[艺术—音乐]