从“多点采风”到“田野调查”:民族舞蹈学研究范式的转变(上)  

From“Multiple-source Sampling”to“Field Research”:The Change of Research Paradigm of Dance Ethnology

作　　者：苏蓉[1] SU Rong(Yunnan Minzu University,Kunming,Yunnan 650000)

机构地区：[1]云南民族大学艺术学院,云南昆明650000

出　　处：《怀化学院学报》2023年第1期26-34,共9页Journal of Huaihua University

基　　金：国家社会科学基金艺术学项目“民族舞蹈学研究”(18BE078);云南省哲学社会科学艺术科学规划项目“文化复合性视域下中老舞蹈文化交流研究”(A2022YW08)。

摘　　要：民族舞蹈学是舞蹈学与民族学或社会文化人类学学科交叉下运用田野调查方法进行学术研究的跨学科产物,从“多点采风”与“田野调查”的概念切入,探讨二者在实践上的共性以及在调查方法和文本书写上的区别。厘清民族舞蹈学的研究方法在我国经历的是由“多点采风”向“田野作业”、由浅入深、由简到繁的范式转变,指出民族舞蹈学家践行的是从实践—文本建构—再实践—理论验证的一个首尾相接、循环往复的完美过程,突破了以往“单线性”的发展路子。Ethnic dance studies are an interdisciplinary product of dance studies,ethnology,or social/cultural anthropology with academic research through field investigation methods.Starting from the concepts of“multiple-source sampling”and“fieldwork survey”,the article explores the commonalities and differences between them in practice,investigation methods,and text writing.It clarifies that the research methods of ethnic dance studies have undergone a paradigm shift in China,from“multiple-source sampling”to“fieldwork survey”in a logical evolution from the simple to the complex.It points out that the practitioners of ethnic dance studies follow a perfect cycle process of fieldwork investigation,construction of dance ethnography,creation of dance works,and theoretical validation,which breaks through the previous“unilinear”development path.

关 键 词：多点采风 田野调查 民族舞蹈学 舞蹈民族志 

分 类 号：C95[社会学—民族学]