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作 者:钮亮 徐佳俊 项玮[2] Niu Liang;Xu Jiajun;Xiang Wei(College of Economics&Management,China Jiliang University,Hangzhou 311222,China;School of Art,Zhejiang International Studies University,Hangzhou 311222,China)
机构地区:[1]中国计量大学经济与管理学院,杭州311222 [2]浙江外国语学院艺术学院,杭州311222
出 处:《文献与数据学报》2023年第1期38-52,共15页Journal of Library and Data
基 金:2023年度浙江省哲学社会科学规划课题“数字人文视域下浙江古代画学文献整理及观念演化研究”(23LMJX06YB);2022年度教育部人文社会科学研究规划基金项目“基于数字技术的中国画图像志方法论研究”(22YJA760081)阶段性成果。
摘 要:[目的/意义]基因观念是决定文化走向的重要依据,识别中国画论基因观念对理解中国绘画的审美取向及其在整个东方艺术中的定位有重要帮助。[方法/过程]首先采用BLAST方法构建中国画论文本引用网络,接着依据改进的库恩基因测度指标提取画论基因观念,最后通过共词网络考察基因观念之间的语义联系。[结果/结论]从研究结果看,谢赫提倡的六法、王维提倡的山水技法、苏轼倡导的文人画理念是中国绘画发展的重要基因观念。该研究为定量识别文化基因提供了一种探索。[Purpose/significance]Genetic concepts are an important basis for determining the direction of culture,and identifying the genetic concepts of Chinese painting theory is important for understanding the aesthetic orientation of Chinese painting and its positioning in the overall Eastern art.[Method/process]In this study,the BLAST method was first used to construct a Chinese painting thesis text citation network,then the painting theory gene ideas were extracted based on the improved Kuhn gene measure,and finally the semantic links between the gene ideas were examined through the co-word network.[Result/conclusion]From the results of the study,the six methods advocated by Xie He,the landscape techniques advocated by Wang Wei,and the literati painting advocated by Su Shi are important genetic concepts in the development of Chinese painting.This study provides an exploration for quantitative identification of cultural genes.
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