现代文学史重构之“中间物”——唐弢本《中国现代文学史》与新诗“经典”塑造  

The“Intermedium”of Modern Literature History Reconstruction:Tang Tao’s History of Modern Chinese Literature and the Shaping of Classics of Modern Chinese Poetry

作　　者：方长安[1] 高爽[1] FANG Chang-an;Gao Shuang(School of Chinese Language and Literature,Wuhan University,Wuhan 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《兰州大学学报（社会科学版）》2023年第1期119-129,共11页Journal of Lanzhou University（Social Sciences）

基　　金：国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917-1949)”(16ZDA186)。

摘　　要：新时期初期,唐弢主编的三卷本《中国现代文学史》问世,相比于1950年代编撰出版的文学史著作,它试图重构中国新诗史,其特点是以现实主义为原则,置重文学社团、流派的诗史地位,建构出突出主流兼顾支流的述史框架,绘制群像式诗人图景,赋予郭沫若、艾青以新诗“经典”地位,重评冯至、戴望舒等的诗史贡献,将包括某些“逆流”诗人在内的大批缺席于此前文学史著作的诗人诗作叙写进新的诗史空间。该著策略性地处理政治意识形态话语与诗学话语关系,一定程度地还原某些诗人诗作的真相,具有承前启后的特点,在新时期文学史著作遴选、塑造“经典”过程中,发挥了历史“中间物”的作用。Compared to literary history works in the 1950s,the three-volume History of Modern Chinese Literature,edited by Tang Tao and published in the early period of the new era,tries to reconstruct the history of modern Chinese poetry.With realism as an editing principle,it reconstructs the role of literary society and schools in poetry history as well as the history narrating frame that highlights the mainstream while taking the tributaries into account.By portraying the group images of poets,it accords works of Guo Moruo and Ai Qing the classics inmodern poetry,revaluates poets like Feng Zhi,Dai Wangshu’s contributions to poetry history,and incorporates many other poets,even some so-called“refluent”poets,who are absent from previous literary history works,into the new history of poetry.In addition,it handles the relationship between political ideological discourse and poetic discourse strategically,restoring the truth about some poets and their poems to a certain extent.Bridging the past and future,it plays the role of historical“intermedium”in selecting and shaping classics of literary history works in the new era.

关 键 词：唐弢本《中国现代文学史》 述史框架 新诗史 展览式诗人群 经典化 中间物 

分 类 号：I206.7[文学—中国文学]