半殖民体验与现代时期丁玲创作  

Semi-colonial Experience and Ding Ling’s Works in Modern Period

作　　者：魏巍[1] WEI Wei(Modern Chinese Poetry Research Institute,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《兰州大学学报（社会科学版）》2023年第1期130-139,共10页Journal of Lanzhou University（Social Sciences）

基　　金：重庆市社会科学规划项目“中国现代文学的半殖民体验研究”(2022NDYB141);西南大学创新研究2035先导计划(SWUPilotPlan016)。

摘　　要：丁玲的创作从一开始到抗战胜利这段时间里,都与她的半殖民体验密切相关,可以说,半殖民体验不仅贯穿了丁玲在现代时期的创作,也影响着其对文学、生活以及政治文化的认知。这种半殖民体验影响了她对“个人”与“群”之间关系的认知,以及“个人”“群”与抗战关系的认知。如果说左转之前,她的半殖民体验局限于殖民对个体出路的表达,那么,到了延安之后,她则将这种个体化的半殖民体验推向了整个抗战,试图将想象验之于现实,来解答中华民族在民族国家危亡的时刻应该如何处理“个人”与“群”之间的关系问题。Ding Ling’s works are,from the beginning to victory of the War of Resistance Against Japanese Aggression,closely related to her semi-colonial experience,which not only permeates her works in the modern period,but also influences her understanding of literature,life and political culture.Further,such experience influenced her cognition of relationships between“individual”and“group”and between“individual”,“group”and the War.Before she turned into a left-wing writer,her semi-colonial experience was limited to an individual’s concern about her future in colonial times.After arriving in Yan’an,she expanded this experience to the War in an effort to test her imagination in reality and find out how the Chinese nation should deal with relationship between“individual”and“group”when the nation is at stake.

关 键 词：丁玲 半殖民体验 阶级共同体 民族共同体 “个人” “群” 

分 类 号：I206.6[文学—中国文学]