男儿妆成女娇娥——《聊斋志异·人妖》探赜  

Men Disguised as Women--Liaozhai Zhiyi·Ren Yao Exploration

作　　者：庞然 PANG Ran(College of Literature,Tianjin Normal University,Tianjing 300387,China)

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《蒲松龄研究》2023年第1期27-36,共10页Study on Pu Songling

摘　　要：男扮女装是中国易装文化的重要组成部分,并和女扮男装一样成为小说戏曲的重要桥段。《聊斋志异·人妖》讲述的是一个男扮女装的故事,充分体现了蒲松龄搜奇猎异的创作倾向和教育警示民众的创作理念。本文以《人妖》为切入点,探究中国古代易装现象的发展历程和这篇小说的创作缘起及作家心态,并着重阐释男扮女装行为背后所蕴含的社会文化意义。Male cross-dressing is an important part of Chinese disguise culture,and has become an important part of fiction and opera as well as female cross-dressing.Liaozhai Zhiyi·Ren Yao is a story about a man who dresses up as a woman,which fully reflects Pu Songling's creative tendency to search for the strange and to educate and warn the public.This paper takes Ren Yao as an entry point to explore the development process of the phenomenon of disguise,the origins of the creation of this novel and the writer's mentality,and focuses on the social and cultural significance behind the act of male cross-dressing.

关 键 词：《人妖》 易装现象 男扮女装 社会文化意义 

分 类 号：I207.419[文学—中国文学]