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作 者:丁萃男 卞良君 DING Cui-nan;BIAN Liang-jun(Zhanjiang University of Science and Technology,School of Culture and Media,Zhanjiang 524003,China)
机构地区:[1]湛江科技学院文化传媒学院,广东湛江524003
出 处:《蒲松龄研究》2023年第1期127-134,共8页Study on Pu Songling
摘 要:与其他明清小说反对门第观念、肯定男女“真情至性”相比,《醒世姻缘传》的作者肯定多妻制,维护封建伦理道德,提倡“无妒”、女德,对当时社会的思想解放并不支持,反而是希望恢复传统道德伦理,建立符合封建伦理的“和谐”的男女及家庭和社会的秩序,这显然是一种带有浓厚封建意识的“男性立场”。因此,作者通过“男卑女尊”的男女、家庭及社会乱象的描述,特别是通过非正常男女群像的绘制和刻画,表述了自己坚定的“男性立场”。Compared with other novels of Ming and Qing Dynasties which opposed the concept of family status and affirmed the“true feelings of men and women”,the author of Xingshi Yinyuan Zhuan affirmed polygamy,maintained feudal ethics and morality,advocated“no jealousy”and female morality,and did not support the ideological liberation of the society at that time,but hoped to restore the traditional moral ethics and establish the“harmonious”order of menand women and the family and society in line with the feudal ethics.Clearly this is a strong feudal consciousness of the“male stance”.Therefore,the author expresses his firm“male position”through the description of men and women,family and social chaos,especially through the drawing and depiction of abnormal images of men and women.
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