选本编纂与“第三代诗歌”合法性的建构  

Anthology and the Legitimacy Construction of“the Third Generation Poetry”

作　　者：刘静怡 LIU Jingyi(College of Literature,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《东莞理工学院学报》2023年第2期35-40,共6页Journal of Dongguan University of Technology

基　　金：湖南省教育厅高校创新平台开放基金项目“‘朦胧诗’:从争论到经典”(18K024)。

摘　　要：虽然“第三代诗歌”大多数创作于1984-1987年间,但没有被当时的主流诗坛接受。随着“第三代诗歌”在选本中集结出现,其存在的合法性逐渐被确认。这些诗歌选本首先指出了“第三代诗歌”作为诗歌本体存在的价值;其次通过建构“第三代诗歌”命名和谱系的合法性,将“第三代诗歌”与“朦胧诗”联系起来,提供了“第三代诗歌”入“史”的合理依据。“第三代诗歌”选本还凸显了“第三代诗歌”具有的后现代主义美学特征,从而建构了其美学的合法性。诗歌选本编纂对“第三代诗歌”合法性的构筑具有不容忽视的作用。Although“the third generation poetry”was mostly written between 1984 and 1987,it was not accepted by the mainstream poetry circle at that time.With the emergence of“the third generation poetry”in selected books,the legitimacy of its existence has been gradually confirmed.These poetry anthologies first point out the value of the existence of“the third generation poetry”as the poetry itself;secondly,by constructing the legitimacy of the naming and pedigree of“the third generation poetry”,it connects“the third generation poetry”with the“misty poetry”and provides a reasonable basis for“the third generation poetry”to be included in the“history”.The anthology of“the third generation poetry”also highlights the aesthetic characteristics of post-modernism,thus constructing its aesthetic legitimacy.Anthology plays an important role in constructing the legitimacy of“the third generation poetry”.

关 键 词：选本编纂 “第三代诗歌” 合法性 

分 类 号：I207.22[文学—中国文学]