音乐文化诗学视角下二十世纪琵琶协奏曲的中国化进程探析  

An Analysis of the Sinicization of the 20th Century Pipa Concerto from the Perspective of Music Culture Poetics

作　　者：吴慧娟[1] 廖丹滢 Wu Huijuan;Liao Danying(College of Humanities and Social Sciences,Fuzhou University,Fuzhou,Fujian,350108)

机构地区：[1]福州大学人文社会科学学院,福建福州350108

出　　处：《福州大学学报（哲学社会科学版）》2023年第2期155-164,172,共11页Journal of Fuzhou University(Philosophy and Social Sciences)

摘　　要：20世纪是琵琶艺术发展的关键时期,在30年代与60年代前后先后出现了第三、第四次高潮。这一时期,琵琶协奏曲得以萌芽与发展。借助“音乐人事”的概念,从音乐文化诗学的视角来看,琵琶协奏曲发展的过程深受社会、文化、乐人的背景影响。琵琶协奏曲的中国化进程中社会变革对琵琶及琵琶协奏曲“内向性”因素有较大影响,而当琵琶作为中国文化代名词之一站上国际舞台后,琵琶协奏曲创作中对于“民族性”的探讨又具有了“外向性”特征。The 20th century is a critical period for the development of the art of pipa,which saw the third and fourth climax of growth in the 1930s and 1960s.During that period,the pipa concerto was germinated and developed.The article uses the concept of"music personnel"and puts the development process of the pipa concerto against the background of the society,culture,as well as that of the musicians.It discusses the influence of social changes in the process of sinicization of the pipa concerto on the"introversion"factors of the pipa and the pipa concerto,and the"extroversion"characteristics of the exploration of"Chinese characteristics"in the creation of the pipa concerto when the pipa plays its role on the international stage as one of the representatives of Chinese culture.

关 键 词：琵琶 协奏曲 音乐文化诗学 音乐人事与文化研究 

分 类 号：J609.2[艺术—音乐]