文化空间理论视域下国家级非遗波罗诞的保护与活化研究  

Report on Protection and Activation of the National Intangible Cultural Heritage Boluo Dan from the Perspective of Cultural Space Theory

作　　者：陈心荷 关溪莹[1] CHEN Xinhe;GUAN Xiying(College of Humanities and Law,South China Agricultural University,Guangzhou Guangdong,510642,China)

机构地区：[1]华南农业大学人文与法学学院,广东广州510642

出　　处：《文化创新比较研究》2023年第8期114-119,共6页Comparative Study of Cultural Innovation

摘　　要：“波罗诞”作为国家级第三批非物质文化遗产之一,是我国目前唯一的海神祭祀民俗活动,其见证了我国古代祭海文化的发展,是重要的民间信俗,如何使其更好地得到保护与创新性发展仍是一个需要深入研究的问题。基于文化空间理论及问卷调查、田野调查、口述访谈等方法,该文认为波罗诞的文化空间要素由中心理念祀神祈福、核心形象祝融及其五子、符号波罗鸡与波罗粽,以及活动主体游客、政府等构成,空间保护上存在着基础设施不足、符号吸引力不足等4类问题,并对此为其文化空间核心区与辐射区的营造与延伸提供9大对策,以促进波罗诞的传承与发展,助力非遗的活化,建设文化强国、建设人文湾区。As one of the third batch of intangible cultural heritages at the national level,Boluo Dan is the only folk festival of the sea god in China at present.It has witnessed the development of China's ancient sea worship culture and is an important folk belief.How to make it better protected and innovatively developed is still a problem that needs more in-depth study.Based on the theory of cultural space and the methods of questionnaire survey,field survey and oral interview,this article believes that the cultural space elements of the Boluo Dan are composed of the central concept of sacrificing gods and praying for blessings,the core image of Zhu Rong and its five sons,the symbols Boluo chicken and Boluo rice dumplings,as well as the main body of the event:tourists,and the government.There are four types of problems in space protection,such as insufficient infrastructure and insufficient symbol attraction.It also provides nine countermeasures for the construction and extension of the core and radiation areas of its cultural space,in order to promote the inheritance and development of the Boluo Dan,assist in the activation of intangible cultural heritage,build a cultural power,and build a humanistic bay area.

关 键 词：文化空间 波罗诞 空间构成 空间生产 保护 活化 

分 类 号：G12[文化科学]