论20世纪90年代中国小说叙事文体的创生  

On the Creation of the Narrative Style of Chinese Novels in the 90s of the 20th Century

作　　者：李御娇 Li Yujiao(Hubei Minzu University,Enshi 445000,China)

机构地区：[1]湖北民族大学文学与传媒学院,湖北恩施445000

出　　处：《河南师范大学学报（哲学社会科学版）》2023年第2期100-106,共7页Journal of Henan Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金西部项目(18XZW029)。

摘　　要：在20世纪90年代,文体新变是中长篇小说比较显著的特征之一。这一时期的小说叙事在借鉴西方文学的过程中,创造性地转化了中国古代文学中的“传奇”“诗歌”“戏曲”等文体资源,呈现出“文备众体”的特征。与此相适应,这些小说在叙事上由“叙述”转向“说话”,并于“闲聊”“絮语”之中,表现出鲜明的杂糅化特征。这些小说在文体和语体上探索实践对其叙事结构产生影响,不仅使其获得了“完整时间长度”,也使其拥有了“共时态”的叙事空间,展现出了时空体组合的特征。In the 1990s,the creative change of literary styles has become one of the relatively distinct features of medium-length and full-length novels.In the course of drawing on Western literary trends,the novel narratives in that period transformed creatively the stylistic resources,such as legends,poetry and opera in ancient Chinese literature,thus yielding the mixed characteristics of“multiple style isomorph(MSI)”,a regenerated literal form from the perspective of narrative style.Rigidly in concord with the characteristics of MSI and legend,the narrative style of novels was mainly manifested in the hybrid characteristics of small talk and slang from“narration”to“talking”.All these characteristics also found expression in the narrative structure of the novels.In general,the narrative of the 1990s novels not only obtained a“complete length of time”,but also had an unusual“synchronic”narrative space,demonstrating the characteristics of space-time combination.

关 键 词：小说 叙事文体 叙事语体 叙事结构 

分 类 号：I206.7[文学—中国文学]