《述张长史笔法十二意》研究补遗  

Research Supplement on Narrating the Twelve Meanings of Zhang Changshi’s Penmanship

作　　者：郭建平[1] 肖洁 GUO Jian-ping;XIAO Jie(School of Art,Southeast University,Nanjing Jiangsu,210000)

机构地区：[1]东南大学艺术学院,江苏南京210000

出　　处：《山西大同大学学报（社会科学版）》2023年第2期52-56,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：江苏省社会科学基金重大项目“中国古代江苏地域艺术类古籍伪作及托伪作品研究”(18ZD013)。

摘　　要：《述张长史笔法十二意》许是好事者出于“流传千古”之意图而托伪颜真卿的一卷文字,常附于其他著录中,此文与梁武帝《观钟繇书法十二意》中的内容大量重合,近代学者余绍宋认为“其文实出伪托”。通过分析《述张长史笔法十二意》,希冀学界关注艺术史文献源头的考辨工作,同时也试图以此为切入点揭示古人亦深谙“名人效应”,因为书籍一旦被怀有不同目的之人归于某时代有影响力的文人名下,传播则更为畅通,托伪者通过与名人建立“强制”文化关联,而达到使其所著之书广泛流传的目的。Xu is a volume of text written by a good person to falsely Yan Zhenqing for the intention of“passing down through the ages”,often attached to other writings,and this text overlaps a lot with the content of Liang Wudi’s Twelve Meanings of Watching Zhong Yao’s Calligraphy,and modern scholar Yu Shaosong believes that“its text is false.”By analyzing Narrating the Twelve Meanings of Zhang Changshi’s Penmanship,this paper hopes that scholars will pay attention to the examination and debate work at the source of art history documents,and at the same time tries to use this article as an entry point to reveal that the ancients were also well versed in the“celebrity effect”,because once books are attributed to influential literati of a certain era by people with different purposes,the dissemination is more smooth,and pseudo-counterfeiters achieve the purpose of making their books widely circulated by establishing“forced”cultural associations with celebrities.

关 键 词：《述张长史笔法十二意》 颜真卿 文化关联 

分 类 号：G09[文化科学]