红色电影的民族共同体意识符号功能解析——以《冰山上的来客》为例  

Analysis of the Symbolic Function of Red Films in Building theConsciousness of the Chinese National Community——Take The Guest on the Iceberg as an example

作　　者：杨波 李佳珈 YANG Bo;LI Jia-jia(School of Humanities,Kashi University,Kashi Xinjiang,844000)

机构地区：[1]喀什大学人文学院,新疆喀什844000

出　　处：《山西大同大学学报（社会科学版）》2023年第2期72-77,共6页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：红色电影是构建红色文化的重要组成部分,红色电影以独特的电影语言对红色文化记忆进行符号化再现。新疆的红色电影在铸牢中华民族共同体意识方面一直做着各种尝试,《冰山上的来客》作为四十年前的一部红色电影,将民族地域特色的符号意象如民俗文化、民族音乐等要素与红色精神血脉联系起来,通过渲染、再现红色文化记忆从而铸牢中华民族共同体意识并沉淀为经典。Red film is an important part of building red culture.Red film represents the memory of red culture symbolically with its unique film language.Xinjiang’s red films have been making various attempts to cast a strong sense of the Chinese national community.As a red film 40 years ago,The Guest on the Iceberg links the symbolic images of ethnic regional characteristics,such as folk culture,national music and other elements with the red spirit and blood,and casts a strong sense of the Chinese national community and precipitates into classics by rendering and reproducing the red cultural memory.

关 键 词：中华民族共同体意识 文化记忆 符号功能 《冰山上的来客》 

分 类 号：J905[艺术—电影电视艺术]