佛教本土化对敦煌壁画艺术形态演变的影响与现代设计的关系  

The Influence of Buddhism Localization on the Evolution ofDunhuang Mural Art Form and the Relationship Between Modern Design

作　　者：安金芳 齐江华[1] 孟姚君 AN Jinfang;QI Jianghua;MENG Yaojun(School of Arts and Media,Xi'an Technological University,Xi'an 710032,China)

机构地区：[1]西安工业大学艺术与传媒学院,陕西西安710032

出　　处：《鞋类工艺与设计》2023年第7期78-80,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：佛教诞生于古印度,是全世界三大宗教之一,给人传递真、善、美的宗教思想。佛教经由丝绸之路传至中国,而其传播的必经之地便是敦煌,这便影响了敦煌壁画艺术,使其佛教文化艺术逐渐兴盛。本文以佛教敦煌壁画艺术本土化为核心讨论点,探索佛教文化单从壁画这一艺术形式由古印度佛教艺术在传入中国之后逐渐本土化的过程,与民族交融形成具有本民族特色的艺术风格、艺术形式、艺术概念,壁画内容、人物形象状态、形式与结构以及敦煌壁画在本土特色的艺术特点与现代设计中的应用关系。Buddhism was born in ancient India and is one of the three major religions in the world.Buddhism transmits the religious ideas of truth,goodness and beauty to people.Buddhism was spread to China through the Silk Road,and the place it must pass through is Dunhuang,which has affected the art of Dunhuang murals and made its Buddhist culture and art gradually prosperous.Taking the localization of the art of Dunhuang frescoes of Buddhism as the core discussion point,the article explores the process of the gradual localization of Buddhist culture from the art form of murals to ancient Indian Buddhist art after it was introduced into China,and integrates with the nation to form the artistic style,artistic form and artistic concept with its own characteristics.The content of the mural,the status of the figure image,the form and structure,and the application of Dunhuang murals in the local characteristics of art and modern design.

关 键 词：敦煌壁画 佛教 本土化 艺术形态 现代设计 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]