新时期中国现实主义文学电影改编的理念探析  

Study on the Idea in the Adaptation of Chinese Realistic Literary Films in the New

作　　者：张丽军 李佳卉 Zhang Lijun;Li Jiahui

机构地区：[1]山东师范大学新闻与传媒学院,济南250358

出　　处：《复印报刊资料（影视艺术）》2022年第3期86-93,共8页MOVIE AND TELEVISION ART

基　　金：2019年国家社科基金重大招标项目“百年乡土小说与乡村文化变迁的关系、启示研究及文献整理”(项目批准号:19ADZ273);2019年国家社科基金项目“新世纪中国长篇小说‘新现实主义'审美书写研究”(项目批准号:19ZWB100)的阶段性研究成果。

摘　　要：文学艺术和电影艺术作为社会文化的重要组成部分,既有所不同又息息相关。在电影改编中,导演作为两者之间的纽带,既是文学的接受者,又是电影的生产者,发挥着不可或缺的作用。现实主义文学作品中,对人性问题的观照与反思成为其永恒的母题,这也使得导演们在对其进行电影改编时,从人性的角度入手成为一个较为普遍的选择。不同时代的导演在改编中对人性的置换、凸显以及取舍均有所不同。从第三代导演在伤痕与反思后促进的美化升华理念,到第四代导演在传承与探索中生成的现实书写理念,再到第五代导演从时代更迭中成就的文化批判理念,最后到第六代以及当下导演们在商业大潮中锁定的个体观照理念,导演的改编理念在不断发展变迁,而这其中也隐藏了导演们在电影改编中的审美理想及创作密钥。As important elements of social culture,literary art and film art are different but related to each other.In the adaptation,director is an important bridge between the two as the director is both recipient of literature and producer of films.In terms of realistic literary works,an eternal motif concerns the reflection on humanity,which makes the directors choose humanity as a perspective to adapt films.Nevertheless,directors in different times hold different perceptions on the selection and manifestation of humanities.The concept of adaptation are changing among directors:from the third generation directors,who experienced scar and reflection and promoted the beautified subliming concept,to the fourth generation directors,who constructed the realistic writing concept during their inheritance and exploration,to the fifth generation directors,who archived cultural critical concept from the transformation of times,to the sixth generation and contemporary directors,who focus on individuals in the wave of commercialization.The aesthetic idea and secret of creation of directors are hidden in these changes.

关 键 词：新时期电影 现实主义文学 改编理念 人性 

分 类 号：I207.42[文学—中国文学] J905[艺术—电影电视艺术]