《死在午后》:一部文艺思想来源书——论海明威《丧钟为谁而鸣》对《死在午后》文艺思想的实践  

Death in the Afternoon:A Source Book of Literary Thought

作　　者：覃承华 Qin Chenghua(School of Foreign Languages,Guangxi Minzu Normal University,Chongzuo,China 532200)

机构地区：[1]广西民族师范学院外国语学院

出　　处：《当代外国文学》2023年第1期95-103,共9页Contemporary Foreign Literature

基　　金：国家社会科学基金项目“欧内斯特·海明威文艺思想史研究”(20XWW007)的阶段性研究成果。

摘　　要：尽管海明威的非虚构作品《死在午后》和长篇小说《丧钟为谁而鸣》的文坛声誉迥然不同,二者在文艺思想上却有着潜在的关联性。《死在午后》是一部在斗牛叙事中蕴涵着丰富文艺思想的斗牛专著。其中的文艺思想直接预示着《丧钟为谁而鸣》的形成,可以看作是《丧钟为谁而鸣》文艺思想的来源书。本文从海明威的文艺思想和审美追求视角出发,将《死在午后》和《丧钟为谁而鸣》的创作过程视为一种一脉相承的创作实践,并从直面死亡的真实情感、“如何观看”的叙事焦点、相得益彰的文本结构以及异曲同工的人物刻画四个方面详细阐明后者是对前者文艺思想的继承和发展,旨在揭示两部作品中长期被学术界忽视的关联性,为海明威文艺思想研究提供一种新的视角。Though the critical reputations of Hemingway's non-fiction Death in the Afternoon and his novel For Whom the Bell Tolls are sharply different,they are closely connected by their literary thought.Death in the Afternoon conveys rich literary thought under the surface of a bullfighting narrative,predicting the coming of For Whom the Bell Tolls.In this sense,the non-fictional work serves as a source book of literary thought for the novel.Focusing on Hemingway's literary thought and his aesthetic claims,the present article argues that For Whom the Bell Tolls draws on the literary thought contained in Death in the Afternoon.It aims to establish connections between the two books which have long been neglected,and to refresh the study of Hemingway's literary thought.

关 键 词：海明威 《死在午后》 《丧钟为谁而鸣》 文艺思想 实践 

分 类 号：I712.06[文学—其他各国文学]