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作 者:冯文开[1] FENG Wen-kai(School of Literature and Journalism,Inner Mongolia University,Hohhot 010070,China)
机构地区:[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070
出 处:《内蒙古民族大学学报(社会科学版)》2022年第6期1-6,共6页Journal of Inner Mongolia Minzu University:Social Sciences
基 金:“内蒙古自治区高等学校创新团队发展计划支持”(项目编号:NMGIRT2209)的资助;第十二批“草原英才”工程“多民族文学交融与中华民族认同研究”创新团队阶段性成果
摘 要:清初宗室诗人文昭是清初积极接受汉文化的实践者,一生致力于写诗,交游颇广,与满汉诗人往来唱和,这对他作诗技艺的提高和诗风的形成产生重要的影响。他登上汉语诗坛是满汉文化碰撞交融的结果,他的汉诗创作影响着其他宗室诗人,促进了满汉文化交融,某种程度上再现了中国各民族文学文化互学互鉴的历史图景,为铸牢中华民族共同体意识提供了重要的历史依据。Wen Zhao,an imperial clan’s poet in the early Qing Dynasty,was a practitioner who actively ac⁃cepted the Han culture in the early Qing Dynasty.He devoted his life to writing poems,made a wide range of friends,and sang with Manchu and Han poets,which had an important impact on the improvement of his poetic skills and the formation of his poetic style.His rise to the Chinese poetry arena is the result of the collision and integration of Manchu and Chinese cultures.His Chinese poetry creation has influenced other imperial poets,promoted the integration of Manchu and Chinese cultures,and to some extent reproduced the historical picture of mutual learning and mutual learning of Chinese national literature and culture,providing an important histori⁃cal basis for building a strong sense of the Chinese national community.
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