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作 者:赵松元 常娜娜 ZHAO Song-yuan;CHANG Na-na(College of Literature and Journalism,Hanshan Normal University,Chaozhou 521041 China;Lijiang College of Culture and Tourism,Lijiang 674100,China)
机构地区:[1]韩山师范学院文学与新闻传播学院,广东潮州521041 [2]丽江文化旅游学院文学院,云南丽江674100
出 处:《嘉应学院学报》2023年第1期72-77,共6页Journal of Jiaying University
摘 要:晋王嘉《拾遗记》涉及众多女性形象,就其身份地位而言,大体可分为三大系统六小类(神女、仙女、凡女三个系统,古帝之母、神异之女、大小仙女、后妃姬妾、贤俊之母、异域奇女六个小类),其中,部分个体女性形象的刻画较为出彩。值得注意的是,一些女性人物虽然正史有载,但小说中的形象却不尽同于史书,有的甚至完全与史相违。整体来看,在“古帝之母”“后妃姬妾”类女性人物以及西王母的相关描写中,作者的颂美情感较为强烈,究其原因,这与王嘉的方士身份,以及道教以女神和女仙崇拜为主要内容的女性崇拜有一定的联系。There are many female characters involved in Jin Wangjia's ShiYiji.According to their status,they can be roughly divided into three systems and six small categories(goddess,fairy and ordinary female;the mother of the ancient emperor,a woman with divine power,different fairies,queens and imperial concubines,mothers of saints,and magical women in strange places).Among them,the portrayal of some individual female images is more brilliant.It is worth noting that although some female characters are recorded in historical books,their images in the novel are not exactly the same as those in historical books,and some even completely contradict the history.On the whole,in the descriptions of female characters such as"the mother of the ancient emperor","the empress and the imperial concubine"and Xi Wangmu,the author has strong feelings of praise for beauty.The reason is related to Wang Jia's status as a taoist priest and the female worship of Taoism which mainly focuses on the worship of goddesses and female fairies.
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