麦积山石窟北朝造像艺术源流浅析  

A Brief Analysis on the Origin of the Northern Dynasty Statue Artin Maijishan Grottoes

作　　者：孙晓峰 SUN Xiao-feng(Maijishan Grottoes Art Research Institute,Dunhuang Academy,Tianshui 741020,Gansu,China)

机构地区：[1]敦煌研究院麦积山石窟艺术研究所,甘肃天水741020

出　　处：《石河子大学学报（哲学社会科学版）》2023年第2期93-100,共8页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社会科学重点项目“麦积山石窟第120-127窟考古报告”(21AKG005)。

摘　　要：麦积山石窟是中国北朝造像保存最完整和最丰富的石窟寺,其窟龛形制、造像题材与风格、壁画内容与技法等充分融合当时各种外来文化艺术因素,对于探讨和研究这一时期不同地域、不同国家和不同民族之间文化艺术的交流与互动提供了真实例证。同时,也展示出麦积山石窟北朝造像的多元化时代特征。The Maijishan Grottoes are the most complete and abundant cave temples with statues preserved in the Northern Dynasty in ancient China.Its cave shape,statue theme and style,mural content and techniques fully show the integration of various foreign cultural and artistic factors at that time.It provides a real example for the discussion and research on the cultural and artistic exchanges and interactions among different regions,different countries and different ethnic groups during that period.At the same time,it also shows the diversified era characteristics of the Northern Dynasty statues in the Maijishan Grottoes.

关 键 词：麦积山 北朝造像 交流与影响 

分 类 号：K879.24[历史地理—考古学及博物馆学]