近代诗坛的宗宋倾向及突破——以郑珍等人诗作为例  

The Tendency and Breakthrough of Advocating the Poetry of Song Dynasty in Modern Poetry World--Take the Poems of Zheng Zhen and Others as Examples

作　　者：唐燕飞 TANG Fei-yan(School of Humanities and Media,Zunyi Normal University,Zunyi 563006,China)

机构地区：[1]遵义师范学院人文与传媒学院,贵州遵义563006

出　　处：《遵义师范学院学报》2023年第2期61-64,共4页Journal of Zunyi Normal University

基　　金：遵义师范学院2023年国家(省部)级社会科学基金培育课题“跨文化视阈下的黎庶昌文学创作研究”(2023KYYB19)。

摘　　要：郑珍、陈三立与钱锺书,都在其诗歌创作中表现出了取法宋诗讲求学问出处、善于煅炼字句的特点:郑珍诗风奇奥而又平易,因题材不同而手法有异,奇奥的一面接近宋调;陈三立师法郑珍,讲求造字炼句,诗多郁勃之气;钱锺书作诗亦受宋诗影响较多。可以说,近代诗坛的宗宋倾向是诗人在取法前人的基础上追求创作的超越与突破的结果。Zheng Zhen,Chen Sanli and Qian Zhongshu all showed the characteristics of learning fromSong poetry in their poems.Zheng Zhen’s poetic style was mysterious and plain,and his techniques varied with different themes.Chen Sanli imitated Zheng Zhen and stressed the creation of words and sentences,and his poems are full of vitality.Qian Zhongshu’s poems were also influenced by Song poems.It can be said that the tendency of advocating the poetry of the Song Dynasty in modern poetry was the result of the poets’pursuit of transcendence and breakthrough in creation on the basis of the achievements of the predecessors.

关 键 词：学人之诗 近代诗坛 宗宋倾向 

分 类 号：I206.5[文学—中国文学]