百花时代下“革命加恋爱”叙事模式的嬗变  

The Evolution of“Revolution and Love”Narrative Mode in the Baihua Era

作　　者：庞裕 肖振宇[1] PANG Yu;XIAO Zhen-yu(College of Arts,Jilin Normal University,Changchun 130000,China)

机构地区：[1]吉林师范大学文学院,吉林长春130000

出　　处：《遵义师范学院学报》2023年第2期82-84,共3页Journal of Zunyi Normal University

摘　　要：20世纪50年代中期出现的“百花文学”虽历时短暂,却为“革命加恋爱”叙事模式增添了新的元素。百花时代滋养了革命恋爱之花,不但颠覆了传统的革命爱情叙事逻辑,而且顺承了五四时期人道主义文学的流泽,冲破了主流文学关于“爱情”与“人性”的禁区,绽放出了别样花朵。Although the“Baihua Literature”appeared in the mid-1950s lasted for a short time, it added new elements to the narrative mode of“revolution and love”. The era of Baihua nurtured the flower of revolutionary love. It not only overturned the traditional nar-rative logic of revolutionary love, but also followed the flowof humanitarian literature during theMay 4th period, broke through the for-bidden zone of mainstreamliterature on“love”and“humanity”, and bloomed a different flower.

关 键 词：百花时代 革命加恋爱 叙事模式 

分 类 号：I206.7[文学—中国文学]