“鸟”意象的发展变化与陶渊明的出处选择  

The Development and Change of"Birds"Images and Tao Yuan-ming's Life Choice

作　　者：吴秀芳 WU Xiu-fang(Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学,福州350007

出　　处：《齐齐哈尔师范高等专科学校学报》2023年第2期81-85,共5页Journal of Qiqihar Junior Teachers College

摘　　要：陶渊明的一生是从矛盾到和谐的。从自由高飞的“高鸟”到身不由己的“羁鸟”,最后在自然中找到归宿的“归鸟”,陶渊明诗歌中呈现出的“鸟”意象不同形态,正符合诗人一生从仕隐矛盾到臻至和谐的过程,分别对应了每一阶段诗人的心理,是特定阶段的诗人形象化身。可以说,鸟儿陪伴了陶渊明的一生,成为陶诗中具有重要寄托内涵的意象。"Birds"is the image that appears in Tao Yuan-ming's poetry most frequently.There are many kinds of"birds"in Tao's poems.According to nature,these"birds"can be divided into three types:"High bird","Captive bird"and"Homeward bird".The change of"birds"images are related to the development and change of Tao Yuan-ming's thoughts.By analyzing the three"bird"images,we can see that Tao Yuan-ming's Journey of the heart about"contradiction to harmony"and its influence on his poetry.

关 键 词：陶渊明 “鸟”意象 仕隐矛盾 

分 类 号：I222.7[文学—中国文学]