宏大叙事主题下的展览意义建构——“玉韫·九州:中国早期文明间的碰撞与聚合”展的内容策划  

Construction of the significance of the exhibition Chinese Archaic Jades-Cultural Collision and Integration in Prehistoric China under the theme of grand narrative

作　　者：庞雅妮[1] Pang Yani

机构地区：[1]陕西历史博物馆,陕西西安710061

出　　处：《文博》2023年第2期105-112,共8页

摘　　要：为展示活化中华文明探源工程考古研究成果,陕西历史博物馆以彩陶、玉器、冶金三重视角策划了“早期中国”系列展览,依次解读中华文明起源与早期发展的伟大进程。作为该系列展览第二部,“玉韫·九州:中国早期文明间的碰撞与聚合”展聚焦古国时代早期和晚期各区域文明间的互动及其兴衰,探讨这一时期玉礼器如何助推和强化神权、军权和王权的文明起源发展模式。通过凝练展览主题、梳理展览叙事重点、“重新脉络化”展品,“玉韫·九州”展策展团队完成了展览故事文本的构建,实现了在明确的主题思想统领下,以清晰的故事线和逻辑结构铺陈展览叙事,以展品及展品丰富生动的物载信息为支撑的内容策划。In order to showcase the achievements of the Archaeological Research Project on the Origins of Chinese Civilization,the Shaanxi History Museum has planned a series of exhibitions from the perspectives of painted pottery,jade artifacts,and metallurgy,respectively,to interpret the great process of the origin and early development of Chinese civilization.As the second part of this series,the exhibition entitled"Chinese Archaic Jades-Cultural Collision and Integration in Prehistoric China"focuses on the interaction and rise and fall of various regional civilizations in the early and late periods of the ancient state era,and explores how jade ritual objects promoted and strengthened the developmental pattern of the origins of civilization,including the begining of divine power,military power,and royal power.By refining the exhibition theme,sorting out the key narrative points,and"re-contextualizing"the exhibits,the exhibition planning team has constructed the exhibition story text,achieved a clear theme under the guidance of a coherent idea,and presented the exhibition narrative with a clear storyline and logical structure supported by the rich and vivid information conveyed by the exhibits.

关 键 词：“早期中国”系列展览 “玉韫·九州”展 展览内容策划 

分 类 号：K87-28[历史地理—考古学及博物馆学]