赣剧服饰的美学特质与多元文化价值  

Aesthetic characteristics and multicultural values of costumes in Gan opera

作　　者：高韬[1] 况丽红 GAO Tao;KUANG Lihong(College of Science and Technology,Jiangxi Normal University,Gongqingcheng 332700,China)

机构地区：[1]江西师范大学科学技术学院,江西共青城332700

出　　处：《染整技术》2023年第4期56-59,共4页Textile Dyeing and Finishing Journal

基　　金：江西省社会科学“十三五”基金项目《中国美学视角下赣剧服饰艺术与多元文化价值研究》的阶段性成果(20YS34)。

摘　　要：服饰是一个国家文化的产物,反映出一个民族的文化、精神、文明。作为一种载体,服饰承载着各种特定文化符号。赣剧艺术与赣剧服饰是中华民族传统文化中的瑰宝,传承了中国传统戏曲服饰文化精神,始于对大自然形象的模拟与想象。经过长期的发展变化,受地域文化、剧情形象、戏曲程式等因素影响,赣剧服饰形成了独特的审美特征。研究赣剧服饰的服饰发展与设置,重新审视其中美学特质与多元文化价值,思考现代赣剧服饰的审美与发展。Costume is a product of a country’s culture,reflecting the culture,spirit and civilisation of a nation.As a carrier,costume carries a variety of specific cultural symbols.The art and costumes of Gan opera are the treasures of tra⁃ditional Chinese culture,inheriting the cultural spirit of traditional Chinese opera costumes,which began with the simula⁃tion and imagination of the image of nature.Through long-term development and change,the costumes of Gan opera have developed unique aesthetic characteristics,influenced by regional culture,plot images and opera programmes.The develop⁃ment and setting of Gan opera costumes is studied,their aesthetic qualities and multi-cultural values are re-examined,and the aesthetics and development of modern Gan opera costumes is considered.

关 键 词：赣剧 戏曲服装 服饰美学 文化价值 

分 类 号：TS941.7[轻工技术与工程—服装设计与工程]