伊万诺夫的悲剧思想研究  

A Study of Ivanov's Tragic Thought

作　　者：王希悦 Wang Xiyue

机构地区：[1]海南大学外国语学院

出　　处：《俄罗斯文艺》2023年第2期18-28,共11页Russian Literature & Arts

基　　金：国家社科基金重大项目“俄罗斯近现代伦理思想史研究”(20&ZD042)的阶段成果。

摘　　要：作为独具个性的悲剧作家,伊万诺夫对古希腊悲剧艺术有很深的研究。在对酒神崇拜的探索中,他分析了古希腊悲剧消亡的原因,提出了悲剧的本质内涵。在《塔坦罗斯》《尼俄柏》《普罗米修斯》等戏剧的创新实践中,蕴含着源自古希腊悲剧的惩罚主题,也运用了他自己的象征艺术手法,并在艺术综合的文化背景下,提出了聚和性①戏剧理念。伊万诺夫热衷于复兴以古希腊传统为导向的悲剧艺术,以他重视的古希腊神话为载体融入现代思想的悲剧创作,表达了克服个人主义的愿望。伊万诺夫期冀以艺术拯救世界,为摆脱文化危机寻找一条路径。As a unique tragedist,Ivanov has deeply studied the art of tragedy.In his exploration of Dionysian worship,he analyzed the causes of the demise of ancient Greek tragedy and put forward the essence of tragedy.In the innovative practice of dramas such as Tatanos,Niobe and Prometheus,the author explains the punishment theme of tragedy and the use of symbolic artistic techniques.Under the art and cultural background,the concept of Sobornost's drama was proposed.Ivanov is keen on reviving the tragic art guided by the ancient Greek tradition.His tragic creation uses his favorite Greek mythology as the carrier to integrate with modern thought,expressing his desire to overcome individualism.Ivanov hopes to save the world with art and find a way out of the cultural crisis.

关 键 词：悲剧 神话 象征 合唱 聚和性 

分 类 号：I512.073[文学—其他各国文学]