朝觐与眷念:曼德尔施塔姆与亚美尼亚  

Pilgrimage and Sentimental Attachment:Mandelshtam and Armenia

作　　者：姜磊 Jiang Lei

机构地区：[1]浙江大学外国语学院

出　　处：《俄罗斯文艺》2023年第2期69-80,共12页Russian Literature & Arts

摘　　要：奥西普·曼德尔施塔姆一生先后四次造访高加索地区。他将亚美尼亚视为俄罗斯对接“世界文化”的桥梁,是通往古希腊罗马文化的窗口。数次高加索之行不再是单纯的旅行,更是一种发自内心的虔诚朝觐。在亚美尼亚,曼德尔施塔姆再次感受到了诗才的悸动,迸发了创作的灵感。在《亚美尼亚》(组诗)和《亚美尼亚旅行记》中,通过石头、教堂、六翼公牛、亚拉腊山等一系列意象的书写,诗人塑造了理想中的诗意精神栖居地——亚美尼亚;通过冰冻的葡萄、垂死的陶土平原、年轻的坟墓、身上致命的面具被掀去、冬天盛开的雪地玫瑰等续写了死亡主题,并将死亡主题与诗人自身命运相联系,塑造出“同病相怜”眷念地——亚美尼亚。亚美尼亚旅行对诗人的创作风格产生了明显的影响,对亚美尼亚的眷念也持续到了诗人生命的尽头。Osip Mandelshtam visited the Caucasus four times in his life.He saw Armenia as a bridge between Russia and"world culture"and a window to the ancient Greco-Roman culture.Several trips to the Caucasus were no longer a mere trip,but a heartfelt pilgrimage.In Armenia,Mandelshtam once again felt the stirrings of poetic talent and burst into creative inspiration.In Armenia(a group of poems)and Journey to Armenian,through a series of imageries such as stones,churches,six-winged bulls,and Mount of Ararat,the poet created the ideal poetic dwelling place-Armenia;he continued the theme of death through the frozen grapes,the dying terra cotta plain,the young grave,the deadly mask lifted from the body,and the snowy roses blooming in winter,etc.,and linked the theme of death with the poet's own fate,creating a place of"sympathy and compassion"-Armenia.The trip to Armenia had a clear influence on the poet's style,and his longing for Armenia lasted until the end of his life.

关 键 词：曼德尔施塔姆 亚美尼亚 死亡 诗意栖居地 

分 类 号：I512.06[文学—其他各国文学]