借古开新:许俊青绿山水画的文化读解  

Learning from Traditions to Make Innovations:A Cultural Interpretation of Xu Jun's Blue-Green Landscape Paintings

作　　者：王文娟[1] Wang Wenjuan(the School of Arts,Renmin University of China)

机构地区：[1]中国人民大学艺术学院

出　　处：《美术》2023年第4期44-49,F0004,共7页Art Magazine

摘　　要：青绿山水是衰落几近湮没的古代画种,从现代到当代,有一批人在努力重拾青绿山水,当代青绿画家许俊是其中一员。许俊的青绿山水继承了正统的青绿技法与精神,并力求突破。他以重彩青绿的概括色为重,既不同于色彩浓丽却空勾少皴的唐宋青绿,也不同于笔墨皴法增加而色彩减淡的明清青绿。他以平远、深远服从于高远为主的透视,具有抑制三度景深空间,向二维平面艺术发展的现代性特点,并随相得益彰的笔墨,“气韵生动”地抒写了人与自然相遇中的美好,不仅只是中国古典哲学美学的“天人合一”,也与海德格尔所提倡的“诗意栖居”相通,从而诠释了人与自然和谐共处、适得其所的幸福旨归。As the blue-green landscape painting is an ancient genre that is waning,a group of artists have been trying to revitalize it since the modern times.Xu Jun,a contemporary blue-green painter,is one of them.While carrying forward traditional techniques and thoughts,Xu strives to make breakthroughs by using heavy colors.This is different from blue-green landscape paintings of the Tang and Song Dynasties,which were rich in color with almost no"cun"technique applied,and is also diferent from those of the Ming and Qing Dynasties,which used lighter colors with more"cun"technique applied.In terms of perspective,Xu emphasizes more height-distance than on depth-and level-distance,a modern feature that focuses more on two-dimension than on three-dimension.Together with vivid brushstrokes,Xu depicts the beauty of men meeting with nature,which not only represents the"harmony between men and nature"in classical Chinese philosophy and aesthetics,but also is consistent with the"poetic life"advocated by Martin Heidegger,thus showcasing the ultimate purpose of the coexistence of men and nature.

关 键 词：许俊 青绿山水 概括色 现代构成 

分 类 号：J212[艺术—美术]