艺术理想的建构——川渝少数民族题材版画创作  

Pursuing Artistic Ideals:Creation of Sichuan-Chongqing Ethnic Minority Groups-themed Prints

作　　者：臧亮[1] 王晶[2] Zang Liang;Wang Jing(the Department of Printmaking,the School of Fine Arts,the Sichuan Fine Arts Institute;the New Media Art Department,the Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院造型艺术学院版画系 [2]四川美术学院实验艺术学院

出　　处：《美术》2023年第4期140-143,共4页Art Magazine

摘　　要：中华人民共和国成立以来,伴随着社会的变革与发展,少数民族题材美术创作成为中国现代美术史上独特且重要的艺术现象。生活在川渝地区的美术创作者,自20世纪50年代初期开始,便将创作的目光投向西南广阔的少数民族地区,在新中国美术史、民族学建设和国家视觉建构等方面占有重要的位置,并作出了卓越贡献。本文以川渝地区少数民族题材版画创作的发展为题,探究中国版画史发展中川渝地区少数民族题材版画创作在不同历史时期的创作面貌与特征,以及川渝版画家对少数民族题材版画创作的艺术理想。Since the founding of the People’s Republic of China(PRC)in 1949,ethnic minority groups-themed artistic creation has become a unique and important part in the history of modern Chinese art,given the transformation and development of the society.Artists living in Sichuan and Chongqing has turned to the vast southwestern area where ethnic minority groups have lived since the early 1950s,constituting a significant part in the art history of the PRC,the development of ethnonymics and the establishment of national vision,and making great contributions.This paper takes the development of prints themed ethnic minority groups in Sichuan and Chongqing as the topic,and explores features in different periods and the ideals of printmakers living in Sichuan and Chongqing.

关 键 词：少数民族题材 川渝版画 黑白木刻 现实主义 

分 类 号：J217[艺术—美术]