清代礼俗音乐文化的历史溯源  

A Historical Trace Research of Ritual Music Culture in Qing Dynasty

作　　者：李莉[1,2] Li Li

机构地区：[1]武汉音乐学院音乐学系,武汉430000 [2]泰国宣素那他皇家大学

出　　处：《北方音乐》2023年第2期95-100,共6页Journal of the Northern Music

基　　金：武汉音乐学院优秀人才培养项目;中央部委属高校与地方支持合作计划项目“武汉音乐学院艺术博士点建设项目《湖北清代礼俗音乐文化研究》”(项目编号:XW2016B01)阶段成果。

摘　　要：礼俗音乐包括官方礼仪中的仪式音乐和民间礼俗活动中的音乐。文章考察了清代释奠礼乐,论证其官礼乐制是对宋明礼乐的继承和发展,有守成之制,也有务实整合创新,一脉延续中华治国之礼乐思想;其民间礼仪深受“朱子家礼”的影响,可追溯至北宋“礼不下庶人”的历史渊源;其宗族家礼仪式用乐中,也可管窥到上古《诗经》歌曲,如“二南”等对后世的深远影响。Ritual music in Qing Dynasty is divided for official ceremonies and for folk ritual activi-ties.Based on the examination of the music of Shidian rites,the article proofs this official rites and music system of the Qing Dynasty had inherited the tradition and developed upon the coalescing from the Song and Ming dynasties.So they constituted the traditions of Chinese rites and music thought of political govermance together.The folk rites are deeply infuenced by the Zhijali[Zhuzis’Rires],which can be traced back to the Northern Song dynasty thought that“Rites do not for the common people”.And the music for the clan rites can be found in Shijing.for example,the Ernan has great influenced in the history.

关 键 词：清代 礼俗音乐 二南 家礼 官礼 

分 类 号：J609.2[艺术—音乐]