简约主义建构的宏大叙事——论菲利普·格拉斯《第五交响曲“安魂、中阴、应身”》的写作特征  

The Grand Narrative Constructed by Minimalism Characteristics of Philip Glass's Symphony NO.5-Requiem,Bardo and Nirmanakaya

作　　者：杨婷婷[1] Yang Tingting

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《北方音乐》2023年第2期129-135,共7页Journal of the Northern Music

摘　　要：菲利普·格拉斯(Philip Glass,1937-)是简约主义音乐的代表人物之一。他的作品显示出简约主义技法与传统音乐形式的碰撞。在他的《第五交响曲“安魂、中阴、应身”》(Symphony NO. 5-Requiem, Bardo and Nirmanakaya,1999)中,运用了多种宗教文本构成的宏大叙事,在构成宏大叙事的技术上,突破了简约音乐的思维定式与技术限制,使该作品更具备个人风格。文章对该作品的复杂题材和简约性技术进行详解,阐述格拉斯如何用全新的简约手法来建构音乐的宏大叙事。Philip Glass(1937-)is one of the representative composers of minimalist.His works show the collision of minimalist techniques and traditional musical forms.In his Symphony NO.5-Requiem,Bardo and Nirmanakaya(1999),he quotes distinct religious texts for the purpose of magnificent narrative,furthermore he get outside the idea paradigm and technique limitation of the minimalist to contribute the technique for it,so this output signified quite personality.The article explains the complex subject matter and the minimalist technique of the work,as well as illustrates how Glass uses a new minimalist approach to construct the grand narrative of the music.

关 键 词：菲利普·格拉斯(Philip Glass 1937-) 简约主义 宏大叙事 音乐结构 写作特征 

分 类 号：J61[艺术—音乐]